How To Make A Light Tent Photography

How to Make An Inexpensive Light Tent – DIY

The following instruction on how to build an Inexpensive Light Tent was submitted by Jeffrey Bail and is reprinted with permission. Jeffrey’s Flickr account may be found here. Note: While this is a fantastic DIY method that hundreds of our users have used, Amazon has a large selection of affordable Light Tents that will provide you with excellent results. How do you go about creating a fantastic DIY light box? It’s all right here in this article! You know, if you’re anything like me, you don’t want to spend money on anything if you can do it yourself and get the same results for less money and effort.

In its simplest form, it was a folding white cloth box with a hole in the front and three lights, which were used in photographic studios for photographing tiny items (like the shot of the chocolate reindeer to the left).

I’m not going to spend $100 on some cloth and three lights when the material is far less expensive.

Materials Needed:

First, a box– It may be any size you choose, so long as it can hold enough fuel to burn! It should be as square as possible, in my opinion. Boxes may be found for free almost anyplace. I received mine from work, which they were about to toss away anyhow. Boxes can also be found in the rear of strip malls, grocery stores, appliance stores, and pretty much any other establishment that manufactures or sells goods. The greater the thickness! (Free) 2.) Fabric’ This can be of any sort, once again.

  1. Purchase enough to completely cover the box.
  2. If you’re on a tight budget and happen to have some white undershirts lying around, go for it.
  3. If you plan to utilize numerous shirts, be certain that the colors are complementary otherwise your final product may not come out as you had hoped.
  4. The reason for this is that you may wish to experiment with different textiles.
  5. ($1.00 per roll in the United States) 4.) Glue’ To adhere the lining to the box, you can use a “Glue Stick” ($1.00 US each Stick) or spray adhesive ($5.00 US per Can) to adhere the lining.
  6. 5.) White Bristol board (.50 a sheet X2).
  7. In drawing and art, Bristol board is a heavyweight paper (.006′′ thick) that is used as a drawing surface.

You may also choose multiple colors for your background if you like a different look.

The lighting in this box, in my opinion, is the most significant component.

I went to my local hardware shop and purchased a few “Daylight” Bulbs to experiment with.

In order to save money, I purchased “n:vision” 90-watt equivalent compact fluorescent bulbs ($7.00 US).

Also, consider recommending a lighting fixture.

If you don’t have one, I recommend investing in a “Clamp On Work Light.” There were only two varieties available at my local home depot.

Tape ruler, ruler or any straight edge, scissors and knife are some of the miscellaneous tools you’ll need. Now that you have the materials, I’ll walk you through the process of building a light tent step by step. Then you’ll be able to take some nice, clean, and crisp product photographs.

Step By Step Process:

A) Take your box and, using a tape ruler and a pen, measure in 2 inches from the side of the box, marking various spots on the box. When you are finished, you will be able to see your border. Connect the points with your straight edge to create a lovely looking square/rectangle in the centre of the box with a 2′′ border around it when you are finished. You may leave the top and bottom of the box alone because you will not be marking them. B) Cut out the shapes you’ve drawn in the boxes. That should be repeated on the sides of the box where the boxes have been drawn.

  1. BE SURE TO LEAVE THE BOTTOM UNALTERED!
  2. Then, using your scissors, cut off 16 strips from the fabric.
  3. Make certain that the side with the marker is towards the cardboard so that it cannot be seen.
  4. In the box, insert the long piece of Bristol board until the piece curls downward to the bottom.
  5. Remove any extra paper that is protruding from the top of the container.
  6. Then cut a large piece of paper so that it will cover the top of the box completely.
  7. After that, tape the top piece in place.

You only have to spark the cigarette lighter at the top of the box to begin taking pictures.

If you’re having trouble with shadows, I recommend illuminating the other sides of the box as well.

Photoshop might also be a useful tool in some situations!

I also increase the brightness by adjusting the values.

An example of how the Light box works Another outcome of the above-mentioned light box

How to make a DIY light box: conclusion

Now you know what I’m talking about! As you should now be aware, constructing a beautiful light box is rather simple. So go to work on your light box. And then put it to the test on some interesting goods (and report your findings in the comments!) Did you like this tutorial? With our free email subscription, you’ll receive fresh content every week. Also, check out our otherDIY Flash and Lighting Hacks for Digital Photographers.

DIY Light Box: Improve Your Product Photography

What can you do to give buyers the confidence that they’re purchasing the correct item? Yes, there are reviews, testimonials, and product descriptions to be found on the internet. However, high-quality product photographs are perhaps the most significant aspect of any online business.

Following are some of the fundamental principles that can help you enhance your online store product photography, as well as step-by-step instructions on how to make your own DIY light box and DIY product images.

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Photographing your items in a light box is a simple and effective approach to make them appear more professional and enticing. What is a light box, and how does it work? A picture lightbox (also known as a white box or light tent) is an empty box with translucent white walls and a smooth, white backdrop that is used for taking photographs. Put your goods in it, press the shutter button, and you’ll get a professional-looking product shot with decent lighting, no shadows, and a simple background in seconds.

Alternatively, you could spend somewhere between $20 and $4,000 on a pre-made light box, or you could create one at home for (nearly) nothing!

Even if you’re only utilizing the camera on your cell phone to take product shots, a light box may make a significant difference.

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The materials for this DIY light box were $3.70 and the construction time was 10 minutes. The tools you will require are as follows:

  • Boxes made of cardboard and packing tape
  • A box cutter
  • White tissue paper
  • White poster board
  • And other supplies

The materials needed to make a homemade light box.

How to create a product photography light box:

Step 1: Create a cardboard light box using scissors. Step 2: Cut a piece of white tissue paper to the same dimensions as the box and stick it to the inside of it. Step 3: Cut the poster board to the same proportions as the previous step and drape it to create a white backdrop.

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You only need to follow these instructions to construct your own picture light box:

Step 1: Cut out your light box

Cut the top flaps of the box off with the box cutter once it has been opened. Following that, cut off three sides of the box, leaving about a 1-inch border on each side of the box. The fact that mine is free-handed and a little sloppy shows that you don’t have to be concerned about getting it perfect. Step 1: Remove the light box from the room.

Step 2: Trim and tape the tissue paper

Cut the tissue paper to a size that is approximately the same as the box’s sides (leaving edges that can be taped down). Then tape the tissue paper to the outside of the box, making sure to cover all of the openings. Because the tissue paper will function as a light diffuser, it will soften the incoming light and eliminate sharp shadows. Step 2: Trim the tissue paper and stick it to the inside of the box.

Step 3: Drape the poster board for a white background

Make a slit in the poster board to match the width of the box. Make sure the poster board is long enough to stretch out of the box while it is not in use. Then, using tape, attach the top of the poster board directly to the top of the rear of the box, allowing it to drape down and out of the box to create a “infinity” white backdrop without edges. You may use tape to secure the bottom of the poster board to the bottom of the box, preventing it from curling up. Step 3: Attach the poster board to the rear of the light box with the included adhesive.

You light box is done!

Using the light box, you may now photograph your objects once they have been placed inside. Place the light box in a place that receives natural light, such as beside a large window. Alternatively, if you don’t have enough natural light, you may position a desk lamp above the light box.

Because we discovered a section of our workplace that had enough of natural light, we didn’t need to utilize any additional lighting for this example. Making your own light box for product photography is simple and requires only a few minutes of your time.

How to take product photos with a DIY lightbox

  • Natural light is usually better than artificial light in terms of quality and effectiveness. Aside from if you want to create dramatic shadows, which you may achieve by simply angling a bulb to shine towards the left or right side of your light box
  • Make certain that the flash on your camera is turned off. Get as near as you can. Using a light box and a close-up shot is an excellent approach to highlight the nuances of your product without having to worry about distracting backdrops. Photograph your goods from a variety of perspectives so that your buyers understand exactly what they’re purchasing.

Consider the following product shot, which was taken with our light box and a smartphone.

More product photo set up tips for online stores

Here are some additional suggestions for shooting your own product photographs and setting up your photography studio.

Lighting:

The most important consideration is that the product be easily seen, which is why the picture lightbox is such a useful tool. However, this does not imply that you must light your goods in a sterile and uninteresting manner. However, you may also experiment with light and shadow—particularly if more dynamic lighting is appropriate for your product. Some product photographs, such as this example from Candice de Rijcke Jewelry, benefit from the use of more dramatic shadows.

White balance:

When we stare at anything, our eyes automatically adjust the white balance so that white looks white rather than blue or orange. Cameras, on the other hand, have greater difficulties. When you photograph a product, the color may appear “wrong,” much as snow in a photograph may appear blue at times or an object illuminated by candlelight may appear orange at times. You may correct this by altering the white balance on your camera, which will make your product shots appear more realistic.

Depth of field:

White appears white rather than blue or orange when we gaze at it because our eyes naturally change the white balance when we look at anything. More difficult is it for cameras to work. A product’s color may appear “wrong” when photographed, much as snow in a photograph may appear blue at times or an object illuminated by candlelight may appear orange at others. The white balance of your camera may be adjusted to correct this, resulting in more realistic-looking product shots.

Getting creative with product photo backgrounds:

The picture lightbox is a fantastic tool for enhancing your product photography, but it does not have to be the only type of product shot you shoot in order to be effective. Customers also want to view a product in its natural habitat, according to the company. This allows consumers to get a sense of how they may utilize the item in their own house, increasing their likelihood of making a purchase. Therefore, include a photograph of the product against a visually appealing backdrop in your submissions.

Don’t forget to add a photograph of the goods against a real-life backdrop, as well.

Photograph from multiple perspectives:

To provide your goods the most accurate representation possible, take images from a variety of angles and positions. Consider the following items that could be significant to your customers: Is there anything particularly noteworthy that your audience should be made aware of? After that, give them a closer look. Is it possible to see a video of someone using the product in action?

Is there a difference in scale? After that, set your product next to an ordinary object so that your buyers can get a better sense of how large it is before purchasing it. These specifics should also be included in your product descriptions in order to make them more effective.

Choose a high resolution for your product pictures:

When it comes to product photography resolution, we recommend that you shoot at the greatest possible resolution you can manage. Even after a picture has been captured, it is possible to diminish its resolution. However, raising the resolution will never produce satisfactory results, since the images would be distorted and blurry. More information on optimizing your website pictures may be found here.

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Can you take good product pictures with a smartphone?

Yes, it is quite feasible to take professional-quality product shots using your smartphone camera. Many smartphone cameras these days are so good that they may easily compete with more costly digital SLR cameras, which is especially true if you are a rookie photographer. Keep the following suggestions in mind:

  • If you’re shooting with a smartphone, you may modify the color temperature and white balance after the fact with a free picture editing application or by using a third-party camera app. Some smartphones include a “Pro mode,” which allows you to manually alter some settings or pick from a variety of parameters, such as “daylight” or “artificial light.” Depth of field: Creating a small depth of field on a smartphone is more difficult, but not impossible. It’s possible to achieve the impression of a blurred backdrop by utilizing an external lens or a picture program that does so. Resolution: When taking images with your smartphone, you should always choose an aspect ratio that provides you with the maximum possible level of detail in your photos. It will still be able to enlarge, crop, and apply other picture effects subsequently in this manner.

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What tools and equipment do you require for product photography? These days, you don’t have to invest in expensive professional equipment in order to take excellent product photographs. Simply having a camera or a smartphone with a competent camera is all you need. Natural light (for example, from a window) or photo lamps in conjunction with a soft box can be used as the only source of illumination. These are frequently available for hire at a reasonable price. For a neutral background, consider using a seamless backdrop.

  1. Always make sure that your goods is easily visible to the public.
  2. Of course, you may still be creative with your photographs, experimenting with different lighting and depths of field, but your product should always be the focal point of the image you create.
  3. In most circumstances, natural light is the most effective.
  4. This will provide you with gentle illumination.
  5. Whatever you do, don’t use your flash to illuminate the scene.
  6. What exactly is a product image?
  7. It makes no difference whether the product is presented on its own or whether it is shown in motion with other things or individuals.
  8. They should be able to tell right away what your product is for, whether or not it appeals to them aesthetically, and whether or not they would be interested in acquiring it.
  9. A light box uniformly distributes light, resulting in softer lighting for your product photography shoot.
  10. If you photograph the thing from the front (without using a flash!
  11. What do I need to put together a picture box?

To begin, cut three sides of the cardboard box using a box cutter, and then stuff the openings with tissue paper to seal them. Then, as a continuous backdrop, place the white poster board on top of it. That’s all there is to it!

Foldable DIY Photography Light Tent

It is highly useful in photography, especially when shooting product pictures, close-ups, or any other situation when you need a steady white (or even colorful) backdrop with even lighting. This article will walk you through the basic process of building your own DIY Photography Light Tent, and as an added bonus, this version will fold flat for convenient storage when not in use.

Supplies for Your DIY Light Tent

When it comes to making your own light tent, you only need a few basic things, many of which you may already have around the house. The most crucial item you’ll need is a solid cardboard box that’s at least 12 inches square, but anything a little larger will work much better for this project. An old shipping box measuring 10 inches by 12 inches by 18 inches that I rescued from the recycling bin was utilized for this project. Tissue paper, a roll of packaging tape, scissors, and an x-acto or utility knife are among the last things you’ll need.

However, duct tape is OK, but clear shipping tape is preferred because there is no concern about the tape obscuring any of the light that will be reflected off of your finished product.

Summary of the supply:

  • Cardboard box with a minimum square dimension of 12 inches tissue paper (2-3 sheets, more for larger boxes)
  • Shipping tape (clear or colored)
  • Tools: scissors, X-acto or utility knife, etc. a sheet of poster board in white

It is beneficial, but not needed, to have the following:

  • Cut-out mat
  • Straight-edge ruler with a clear edge
  • Pencil or marker for laying out lines
  • 2 tiny binder clips
  • 2 movable light stands with lights
  • 2 small binder clips

Building the Light Tent

Construction of the light tent should take you less than half an hour from start to finish, if you follow the instructions carefully. (Mine took substantially longer since I had to stop at every step to snap these photographs.) I was finished in less than an hour, even with this setback). Choose whether or not you want to utilize the flaps on the ‘top’ of the box to increase the box’s overall depth as the very first stage. Because my box was only 10 inches deep, I elected to tape the flaps together on both the inside and exterior of the box, as indicated in the photo.

  1. If you’re using a deeper box, you may want to simply cut the flaps off instead.
  2. In order to hold the tape securely without any tape showing, you may wish to lengthen the length to an inch and a half in order to enhance the stability.
  3. I used a self-healing craft cutting mat for this stage to protect the underside of the box and a transparent ruler to guide the knife throughout the cutting process itself.
  4. This is the stage at which you may lift the box and have a look inside.
  5. Keep the bottom and rear of the light tent untied for the time being if you want to be able to simply re-flatten the tent for storing purposes.
  6. Cut two tiny openings out of the top of your light tent along the rear side, one at each corner, with an x-acto or a utility knife, as shown.
  7. After that, you will be able to utilize these clips to hold up your poster board backgrounds with the utmost of ease and efficiency.

Continue reading; this will make more sense later when you get the opportunity to see them in action).

On both edges, cut the tissue paper so that it is about a half-inch shorter than the actual box.

When assembling the rear of the light tent (which was once the bottom of the box), you may use simply the bottom flap of the tape to hold it together, as indicated in the illustration.

Tissue paper should be wrapped around the two sides and the top of the box.

(I also recommend putting a large piece of tape inside to keep it in place.) Congratulations!

Making the background for your seamless backdrop is the final stage in the process.

Slide it up inside the box until it reaches the top, then use the two binder clips to fasten it to the box.

You have the option of trimming the board at this point to fit the dimensions of the box (and attaching it at the bottom with two extra binder clips), or you can keep it extending from the box.

Simply cut lightly through the tape keeping the rear of the box together when you are through using it, and then open and lay it closed in the manner seen in this illustration.

The tape will be flexible enough to allow it to be folded without damaging itself. You may now simply keep it somewhere out of the way, such as beneath a bed or behind a book shelf.

Lighting Your Light Tent

During the day, you may utilize your light tent to filter incoming sunlight and reduce harsh shadows from the scene. Simply set up your light tent in a well-lit area near a window, with the back of the tent facing the window and both sides evenly lighted, with the back of the tent facing the window. It is possible to place your camera directly on the table top or use a tripod to keep it stable, depending on the angle that you like. If you are using shiny poster board, this configuration will allow you to get photos that are uniformly illuminated, and the light coming through the top panel may even produce an attractive reflection.

Nail polish photographed using the set up above exactly as shown.

An alternate method of lighting your light tent is to use two lights, one on either side of the box, which will balance each other out and produce even illumination throughout the tent. It’s important to pay attention to the type of light bulb you’re using because many bulbs are meant to provide a “warm glow” to our indoor lighting, but this warm glow might convert into a yellowish hue in your photographs (as seen above). If you carefully examine the packaging of your light bulbs, you should be able to determine the color temperature (measured in K for Kelvins) of the light source.

(For example, the daylight white balance setting corresponds to 5400K, whereas the fluorescent white balance setting corresponds to 3800K, and so on.) Because RAW files are uncompressed, you will be able to modify the white balance in post-processing.

Example of the same shot, adjusting the white balance from the RAW file. Originally shot using compact fluorescent bulbs.

DIY Light Tent Summary

In order to take high-quality images of little items and objects, a light tent is a very important equipment to have on hand. Using it for product photography for sale or instructive pictures for a blog or web site is particularly beneficial because the images are clean and clear. If you want your works to appear their best, a light box is a good investment. Using the information presented in this page, you may construct your own foldable light tent out of common household materials. How to Use a Light Tent for Product Photography (with more thorough guidance and how-to), a Face-Off: DIY Light Tent vs.

Have you ever constructed your own light tent?

Do you want even more fantastic suggestions?

For more information on the Square Perfect Light Tent kit, see the Product Review of the Square Perfect Light Tent.

Improve Your Photography Skills by Learning How to Use Your DSLR is now available for purchase on Amazon. Using practical instruction on the technical and artistic sides of DSLR photography, you will be able to get the most out of your camera and start capturing gorgeous photographs right away.

How to Create an Inexpensive Photography Lightbox

Article in PDF format Article in PDF format No matter if you’re photographing something to sell on the internet or just practicing your photography skills, having the right lighting is essential to achieving the ideal shot. Although you might spend a lot of money on a professional lighting setup or try to work with only natural light, nothing will be as simple to obtain and use as a home-made photography lightbox. Within an afternoon, you can construct a lightbox out of a cardboard box and a few inexpensive lights that will provide excellent results.

  1. 1 Select a cardboard box that is large enough to accommodate the thing you wish to photograph. Attempt to get the largest box that you can find, as this will allow you to photograph practically anything that you would need to capture. In order to obtain the ideal cardboard box, inquire at local businesses, browse through your belongings for a box you no longer need, or consider purchasing one from a storage firm.
  • If you want a lightbox that will survive for a longer period of time, you should pick a box constructed of a more durable material. Large wooden boxes or boxes made of an opaque plastic might also work well for storing the items. However, something more powerful than a box cutter, such as a saw, would most likely be required to cut the lighting panels in the side of the cabinet.
  • 2 Tape the flaps together on one side. Fold the flaps of your cardboard box down to produce a flat bottom by turning it upside down. Packing tape, duct tape, or anything similar can be used to hold the flaps in place and protect the box from shifting about. Tape down the flaps on the inside of the box as well, in order to keep them out of your way while you are working if necessary.
  • It’s possible that some boxes will be sent with one side already taped together with cardboard tabs. As this should help to keep the box firm while you work, it may be beneficial to tape the corners of the box together as well to provide even more support.
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  • s3 Window measurements on either side of your box should be taken. Place your box on its side so that the open flaps of the box are pointing in your direction. On one side of the box, use a ruler to mark a point approximately 2 inches (5.1 cm) from either edge, about halfway down the box. Create a rectangle with space around the borders by drawing a straight line with a pencil around the boundaries of the box to link these locations. Repeat the process on the other side.
  • If you are using fabric, parchment paper, or tissue to cover the window, this will be the measurement you will use for the window size. If you have a very large box, you might want to make the window smaller so that you can still cover it with a single piece of cloth or paper
  • Otherwise, you might want to make the window larger. As an additional option, you may draw a window on the top of your box, which will allow you to illuminate the thing you’re photographing from above
  • 4 Cut out the windows in your box using a sharp knife. Cut along the lines you’ve drawn with a box cutter or a sharp pair of scissors to finish the job. Completely remove the cardboard in the centre of each line until you have a little window in the middle of each line. Repeat the same on the other side to create a second window.
  • Holding a ruler against the pencil lines and cutting along them will help to keep the lines extra straight. This will have no effect on the operation of the box, but it will improve its appearance
  • 5 Cut a piece of white poster board to the same width as your box and fold it in half. Place a piece of white poster board or a thick piece of white paper over the top of the box to protect it from damage. Make use of your scissors or box cutter to clip away any excess material so that it will be able to fit into your container. The poster board should have the same width as the box and be almost twice as long as the top side, as shown in the illustration.
  • 5 Cut a piece of white poster board to the same width as your box and tape it to the inside of the box. Over the top of the box, place a piece of white poster board or a thick piece of white paper. Use your scissors or box cutter to clip away any sharp edges so that it will be able to fit into your box’s inner compartment. The poster board should have the same width as the box and be almost twice as long as the top side, as shown in the diagram.
  • 6 Place a piece of tape along the top inside edge of the lightbox’s interior. A lengthy piece of duct tape or packing tape should be attached to the top edge of your poster board. Press the tape onto the inside of the cardboard box, as close to the top of the rear side as possible, taking care not to allow it come into contact with anything else while doing so. Another piece of tape should be used to secure the opposite end of the posterboard to the bottom of the box
  • And
  • Keep the poster board as flat as possible, and avoid folding or creasing it. Make an effort to bend it slightly so that you get a tiny curvature along the back bottom corner of the frame. If you have a broad enough portion to photograph without showing any of the exposed cardboard, you don’t have to bother about covering the entire box.
  • 7 To cover the windows, cut out two pieces of white cloth or tissue paper and tape them together. This will help to disperse the light that shines into the lightbox, resulting in equal illumination over the whole picture. Preparing the fabric: Made out several pieces of white fabric, tissue paper, or something similar that are approximately 1 inch (2.5 cm) larger on each side than the windows you have already cut
  • You may use the piece of cardboard that you cut from the box when you made the windows as a reference to make this process simpler for yourself. Placing it on the fabric or tissue paper and cutting around it, allowing enough room on each side for attaching it to the box This may be accomplished using a smooth white cloth, tissue paper, parchment paper, or anything else of a similar kind. Just make sure that the material you chose is non-reflective and that it allows some, but not all, of the light to pass through it.
  1. 8Secure the fabric or tissue paper in place with tape or glue. Starting with the top edge of your chosen material, fix it over one of the windows with a piece of tape or some hot glue, working your way down the length. Allow it to hang down over the window and bind the other sides with extra tape or glue to keep it from falling out. Repeat the process for all of the windows you’ve cut until they’re all completely covered. Advertisement
  1. 1 The thing you wish to photograph should be placed in the center of your lightbox. Place your completed lightbox on a big flat surface, giving enough room on either side for lights to be installed. Placing the thing you want to shoot in the center of the white surface of your lightbox will help it to stand out more.
  • Make use of your camera’s viewfinder or screen to assist you in positioning the item in the lightbox. To achieve a clean photo without any exposed cardboard showing, move the camera and the item around until you do. If you are unable to get the object or your camera in the proper position, you may always crop the shot to eliminate anything you do not want to be shown. Other picture editing should not be necessary, but a basic crop might save you a lot of time and effort in situating your image.
  • 2 Place a lamp on either side of the lightbox to serve as a reading lamp. In order for your lightbox to function properly, you need use lamps that offer directed rather than ambient illumination. Locate as many desk lamps or other directed lights as there are windows on the lightbox and arrange them accordingly. Position the lamps so that they are pointing directly into the windows you have cut, and then turn them on if necessary.
  • Maintain a distance of at least 5 inches (13 cm) between your lights and the windows at all times to avoid the cloth covering them becoming too hot. When you initially switch on your lights, make sure they are all at the same distance from the lightbox. Moving various lights further away or closer to the windows might help you generate some more unique lighting effects within your home. For the best effects, choose light bulbs that emit a cool white light
  • Other types of light bulbs may give your photographs a yellowish hue. A few dollars should be enough to purchase an inexpensive desk light or a lamp that can be clipped onto furniture. You may get these items online or at your local homeware or office stationery store. Use a northern-facing window (which will provide indirect light) and position the lightbox at the window to allow the sunlight to reflect back onto white paper if you do not have a decent lamp
  • If you do not have a good lamp, use a northern-facing window (which will provide indirect light)
  • 3 Experiment with the various settings on your camera. It’s not often that you’ll be photographing something that is uniformly and brilliantly lighted, so your first few photographs may appear overly bright or completely incorrect in color. You should experiment with your camera’s shutter speed, ISO, and white balance settings until your images appear normal.
  • In the case of a smartphone camera or a camera with an automated mode, you shouldn’t have to make any adjustments to the settings
  • Instead, the camera should do everything for you. Photos that appear excessively yellow or blue are usually a clue that your white balance settings aren’t set correctly on your camera. If your photographs are either too dark or too bright, experiment with modifying the exposure by altering the ISO, shutter speed, or aperture settings on your camera. Continue to experiment until you achieve the desired result
  • 4 Take a photo of yourself. Once you’ve positioned your object and dialed in your camera settings to perfection, it’s time to snap a photo of it. Moving around the camera to make sure there’s nothing else in the view but the white background, holding the camera steady, and taking a few photographs
  • Make use of the cardboard flaps that have been left open to prevent any light from the bulbs from beaming directly into the camera. It is possible that any light that does not pass through the windows will cause lens flare and diminish the effectiveness of a photographic lightbox.
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Create a new question

  • Question Is it possible to use white cotton as well? What degree of transparency should the cloth have? Yes, as long as the thread count is not too high, this will be OK. Check to check if it is a dazzling white color by holding it up to the light. Cheesecloth, taffeta, upholstery fabric, and burlap are examples of fabrics that do not function well. Fabrics such as white silk are suitable for usage
  • Question Is it necessary to use specific light bulbs? There is no way we want it to appear yellow! Simply use white light bulbs to illuminate the room. Question Is it possible to do it using white paper? Yes
  • sQuestion Is it possible to substitute parchment paper for cotton? Yes
  • Question Can you tell me where I can get matte poster board in white and black? You can generally find it in the craft department of Target or Walmart, or you can visit a craft store such as Joann’s, Michael’s, or similar
  • Question When I switch on the lights, my photographs appear to be yellow in color. To illuminate the room, I’m utilizing white bulbs in desk lights on either side. The photographs appear better when the lights are turned off. Why? Joseph Hendren is an American actor and director who is best known for his role in the film The Great Gatsby. Community Answer Your camera’s white balance settings are most likely not calibrated to the light emitted by your white bulbs, which is the most likely cause of this problem. Turn on the lights and play about with the camera settings until your images come out looking the way you want them to
  • Questions What wattage of light bulb should I be using? Simply use whatever you have available – perhaps even your phone’s built-in flash light if you are using a different camera to shoot the image
  • Questions and answers I don’t have any white poster paper on hand. Is there any type of paper that I could use instead? The poster board was chosen for this project since it is more difficult to crease. You may also use big printer paper as long as it is a bright white color, but you may find that it does not work as well as poster board since it develops folds that will show up in your images as a result of the folding. You may also find poster board at places like Target and Michael’s Crafts. Question Is it possible to use baking paper for tissue paper? Joseph Hendren is an American actor and director who is best known for his role in the film The Great Gatsby. Community Answer Baking paper is simply another term for parchment paper, and as such, it should work quite well for this particular task. Anything that allows light to pass through while diffusing it should be effective. Question I’ve heard about light boxes, and I’ve seen a number of websites that make use of tissue paper. Choosing between paper and material is a difficult decision. Both are effective, although paper may be more readily available.

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  • Make certain to use matte poster board rather than glossy poster board. Light may be reflected and reflected off glossy poster board, creating glare. To obtain the desired appearance, experiment with different colors of poster board and even cloth. When shooting photographs, wear long sleeves in a single color to avoid having your arms or the camera appear in the reflection of the thing you’re capturing.

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  • Make certain that the lights do not cause a fire. When dealing with a box cutter, exercise caution. Always keep your hands and your body away from your hands

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Things You’ll Need

  • A cardboard box
  • White cloth, tissue, or parchment paper
  • And a pair of scissors. Poster board with a matte finish
  • Tape, a ruler, a pencil, box cutters, or scissors are all useful tools. directional lights such as desk lamps or other directed lighting Using a camera or a smartphone

About This Article

Summary of the ArticleXTo make a low-cost photography lightbox, start by purchasing a cardboard box that is large enough to house the object you need to shoot. Then, tape the flaps at the top of the bag down so that they don’t get in the way. After that, turn the box on its side and trace and cut a rectangle window out of one of the sides, repeating the process on the other side after you’re through with one side. After you’ve completed this step, cut a piece of white posterboard to the same width as the light box and tape it to the top inside edge of the light box.

See also:  How To Make A Canvas Tent

Continue reading to find out how to utilize your photography lightbox properly!

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Did this article help you?

Perhaps you’re looking to photograph a timepiece for an online auction. Alternatively, you might take a photograph of your wedding band for insurance purposes. Alternatively, you may obtain a picture of an old coin. There will be times when you’ll need to shoot something that is tiny, glossy, and difficult to image in any of these scenarios. Often, people hire specialists to photograph these reflecting items, but there’s no reason why you can’t do it yourself with your digital camera instead of paying a professional.

In this post, we’ll teach you how to create your own light tent to use for shooting tiny, reflective things such as jewelry, and how to achieve excellent results.

Following that, we’ll talk about how to light your object such that its inherent glitter is brought out while preventing reflections. Finally, we’ll set up our camera and take some measures to ensure that the image is as clear as possible and that we get the greatest picture possible.

Know your Goals

Understanding the purpose of a photography session is one of the most critical components of any photographic endeavor. When photographing shiny, little things, you must carefully examine each piece and decide which characteristics you want to capture in the shot. Being aware of whether you want to accentuate the sparkling highlights of a diamond or the smooth texture of an old silver pin can help you make more informed decisions about lighting placement, background color and texture, and the camera position.

Take your Camera Camping

Our primary purpose in writing this post is to demonstrate how you can make your shiny goods appear fantastic without having to hire a professional photographer or take out a small business loan to do so. Although you could just place the object on your desk and take a picture, as we did for the first image in Figure 1, this method is fraught with difficulties. Our item is poorly represented by the photograph due to the use of a flash, the use of mixed illumination from fluorescent overhead lights, a distracting background, and strange shadows.

  1. More information is available below the jump!
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  3. Figure 1 shows a diagram of a compass.
  4. If we adjust our shooting technique, it shouldn’t be difficult to make this shot better.
  5. Alight tent is an enclosed space constructed of a transparent material that emits uniform, diffused light throughout the space.
  6. The hard designs make use of a variety of materials to disperse and reflect light, including cardboard boxes, translucent plastic sheets, white foam, and other similar materials.
  7. Small light tent setups are available for purchase from professional camera supply firms, and they perform well.
  8. When shooting goods such as jewelry, the most difficult difficulty is reducing reflections; thus, creating your own setup allows you to respond more effectively to the subtleties of your subject.

A light tent may be constructed in a variety of configurations, which we will demonstrate in the following section of this article. To keep things simple for now, we’ll skip over the lighting setups and camera settings, but we’ll get to them later in the article.

The Fast-and-Cheap Method

Nothing more than your camera, some tape, and a handful of face tissues are required for the first light tent setup we’ll put together. Placing your object on a white piece of paper will offer a neutral backdrop and help to reduce reflections. Set your camera up on a tripod to limit camera movement, and then set your object on the white sheet of paper to create a neutral background and help to reduce reflections. In the next step, place your camera over the object and wrap tissue around the lens to create a tent over the object, as illustrated in Figure 2.

  • Because it creates a basic, seamless habitat that diffuses light properly while costing pennies to construct, this simple “soft” light tent works very well for little things.
  • This might result in fuzzy photographs when taken with digital cameras that do not include a macro lens.
  • The thicker cloth aids in evenly diffusing the light, while the larger size allows for larger items and better adaptability in the setting.
  • Diffusing the light and altering the backdrop of our photo has resulted in a more pleasing image.

A More-Flexible Setup

After you’ve set up your light tent, you’ll most likely be able to use it for many years to come, so why not take your time and do it well the first time? The framework of this next light tent is provided by a cardboard box, and the diffusing agent is comprised of a variety of materials. The light tent in Figure 4 is large enough to accommodate larger items and can be simply adjusted to fulfill the requirements of a variety of different pictures. This form of light tent requires some creativity and improvisation because it may be constructed from a variety of different household items, such as books or stuffed animals.

  • The holes were then covered with white pillowcases that were sealed with duct tape.
  • In addition to creating a seamless background, this guarantees that any reflections from the interior of the box are completely white as well.
  • The entire operation took around 20 minutes, and we now have a multipurpose light tent that can be used for a variety of activities.
  • Figure 4: The essential components of this adaptable light tent are a cardboard box, a pillowcase, and a white rubbish bag in plain sight.

Figure 5: The bigger size of our diffuser materials allows for more uniform light distribution, and the white interior creates less reflections than other types of materials.

Keep your Eyes Open

Almost anything that is transparent may be used to create a light tent for a party. Look for possibilities to use other things as fast light tents when you are out and about. The paint can liner illustrated in Figure 6 is an example of something we discovered at our local hardware shop. This product is ideal for use as a light tent since the semi-transparent material diffuses light while the curved top produces an aesthetically pleasing ambience. Furthermore, it is long-lasting and should be accessible for a number of sessions.

Figure 6: This translucent paint can liner was used to create a one-of-a-kind light tent.

Figure 7:

Lighting your Object

Once your light tent has been constructed, you may concentrate on providing appropriate illumination for your object of interest. Our attempt to keep costs down by doing things yourself will continue with the use of natural light rather than studio lighting. They are often constructed of tungsten or quartz and provide a brilliant, well-balanced light that is quite expensive to purchase. These lights, on the other hand, would be far too bright for our installations, since the 500-watt infernos would be overwhelmed by the modest size of our things.

  1. Note:Many photographers swear by the natural lighting provided by a bright, overcast day, and for good reason.
  2. Our lights are held in place by simple clamp reflectors, which we purchased for $5 apiece from the local hardware shop.
  3. Using only one light would result in an excessive amount of contrast on one side of the item and an uneven distribution of lighting.
  4. We’ve also opted to raise one of our lights higher than the other in order to alter the angle of the incoming light and create soft shadows in the process.
  5. It should be noted that they have been set at different levels in order to modify the light angles.

Why not use the flash?

In order to illuminate a big area equally, the flash on your digital camera is designed to be powerful. When dealing with close-up photography, the brilliant burst from the flash will overpower your subject, resulting in hotspots and reflections on the surface of the item.

Furthermore, including a second light source in your photo might have a negative impact on the color balance of your image. The best course of action is to switch off your flash and rely on external illumination instead.

Balancing the white

One advantage of photographing these artifacts digitally is that you have the ability to modify the white balance on your camera to your liking. The color cast produced by each form of light is different; thus, you need alter your camera’s settings to match the type of light you’re utilizing. Avoid utilizing fluorescent illumination, on the other hand, because it has a tendency to convert metal a bluish green color. It’s true that, because all of your photos are digital, you can always import them into an image-editing tool and fix any color casts after the fact, but it’s ideal to make this correction while you’re shooting if at all feasible.

Setting up your Camera

Now that your light tent and lighting fixtures are in place, you can focus on setting up your camera to get the finest possible photo. The first thing you need to figure out is what the focal range of your camera is. You’re going to want to fill the frame with your subject, so come as near as you possibly can without risking fuzzy pictures in your photograph. If necessary, you can visually zoom in on the item; however, digital zoom should be avoided because it reduces the quality of the image.

  • Check with the manufacturer to determine if the lens is compatible with a macro lens attachment that you may purchase separately.
  • It has already been noted that a tripod is recommended for taking stable pictures with your camera.
  • Especially at close range, even the tiniest vibration may be quite perceptible.
  • In general, you’ll want to shoot with the greatest f-stop you can find, since this will result in a narrower aperture and a greater depth of focus than using a smaller one.
  • You may also want to bracket your images by +/- 1.0 EV in order to have a variety of shots to choose from when editing.
  • The view from the rear panel will provide you with the most exact depiction of what the image sensor is going to capture, as well as a good indication of whether or not the item is in focus, whether or not the colors are true, and whether or not reflections are present.

Preparing the Object

It is important that your things are clean and free of fingerprints before photographing them. Handle them only if absolutely necessary while wearing gloves to reduce the likelihood of smudges. For objects that are particularly reflective, you might want to consider using a dulling spray to reduce the amount of reflection you get. A simple and inexpensive method of achieving the same effect is to place your object in the freezer for a few minutes. When you remove it, a thin layer of condensation forms on the surface, which slightly dulls the appearance of the surface.

When composing your shot, take into consideration the color and texture of the subject.

Consider that a white gold and diamond ring will likely look better against a gray background than against a white background, because the highlights will be more visible and the reflections will be slightly darker against a gray background.

The presence of bad shadows detracts from your object and causes harsh edges, which makes your image appear flat.

Get it off the ground as soon as possible to give your thing the most amount of dimension feasible. Some inventive rigging may be required, or you can purchase positioning clips, such as those used by fishermen for fly tying, to hold objects in place while they are being rigged.

Shooting your Object

Once you’ve put everything together, you can start shooting. Because you’re shooting digitally, you should capture as many shots as you can. Always remember that it is always easier to delete an unwanted image afterwards rather than having to re-set the photo. While you should fill your frame with the item, you should also include any shadows thrown by the object. Make every effort to shoot at the greatest resolution feasible, even if the end destination for these photographs is the Internet.

Experiment with different lighting and camera angles to see what works best for you.

Keep in mind, however, that your lens may also generate a reflection on your subject, so keep a watch out for any adverse manifestations while using your lens.

Our favorite photograph, which can be seen in Figure 1 and below, was taken with the lampshade light tent, which was a complete surprise to us.

Shooting tiny, reflective items doesn’t have to be difficult if you put in the effort to set up a favorable lighting arrangement that reduces reflections and allows your subject to shine through.

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